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Native instruments kontakt vst12/8/2023 ![]() Throw in up to 10 round robins per drum and this adds up to a comprehensive collection of twisted percussion, perfect for sci-fi and hybrid trailer scoring. The ensemble mode layers up the drums with variable spread and tightness controls, making it easy to build huge sounding drum parts. The interface maps the range of samples to key s and also includes 5 upper key switches for triggering distortion and phase processing on the fly. The selection of sounds here is eclectic from sub-rumbling toms to fizzy white-noise cymbals, but they all have one thing in common that they’ve been created from scratch using software and hardware synths, rather than sampled from specific drum machines. There’s a patch for KONTAKT and also raw WAV samples that you can drag and drop into your DAW of choice. Taking inspiration from Pacific Rim and Battleship, this library from Impact Soundworks brings the digital sizzle, with a wide selection of synthesized drum sounds, textures, bass drops, stabs and more. The sample browser temptingly displays the types of sounds that you can access with the full version of Density, including playable multi-sampled cello, tuba and throat singing! However, you can always use the included WAV files in your DAW to swerve the marketing pop-ups.īlockbuster action trailers feature a wide selection of acoustic and electronic sounds to ramp up the excitement. Push each channel through a six-stage effects rack and then use the large Distort and Mangle knobs for aggressive processing before sending the audio to the master FX rack. The basic concept combines two channels of audio, each with separate volume, pitch, panning and ADSR controls. Even though the Lite version of the library is considerably slimmed down, with just 85 samples to audition, the engine is fully functional and features tasty looking Nixie tube designs and plenty of parameters to tweak. ![]() The full-fat version of Density contains over 7GB of booms, brams, downers, drones, hits, reverse FX, risers, stutters and transitions. Oddly labelled on their website as “try for free”, this is actually a completely standalone version of Mammoth Audio’s flagship trailer FX library, only with a more frugal selection of sounds to audition. So grab your popcorn and let’s start scoring. All of the libraries below run in the full version of Native Instruments’ dedicated sampler KONTAKT, but several of them also have WAV files that you can simply drag into your favorite music production software. These scoring teams have access to the latest cutting-edge samples and sounds, but you can grab yourself a piece of the action without spending a penny. In fact, there are several production music houses that only ever write for trailers. What you may not know is that trailers are usually scored by a different composer than the movie itself. From the ubiquitous Hall Of The Mountain King to the powerful horn brams of Inception, the styles of movie trailer music are many and varied. Like movie music itself, fashions in trailer scoring come and go. A quick glance of trailer genre re-edits demonstrates just how important music is to creating the right atmosphere and building a sense of anticipation. Over the last few years, trailer scoring has become an art form in itself. ![]()
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